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Como pode se perceber, meus blogposts recentes foram sobre a falta de água e o livro Luna Clara & Apolo Onze. Isso é um glossário para os. The Architectonics of Luna Clara e Apolo Onze: a Metalinguistic Reflection how, from the foundations of dialogical discourse analysis, and from a preliminary. Tudo se passa na Região de Desatino. Esta é a história de Luna Clara e Apolo Onze, mas é também a história de Doravante e Aventura, de Leuconíquio e.

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This is a special instance of the carnival category of eccentricitythe violation of the usual and the generally accepted, life drawn out of its usual rut emphasis in original “p. Letras em RevistaPorto Alegre, n. As Luna Clara e Apolo Onze was published ina summary of its plot was annexed to the afore mentioned thesis in order to allow the reader to understand what it was about.

In the front cover Luna Clarais illustrated whereasin the back one there is the illustration of Apolo Onze, which, if viewed from the same angle of the cover, is oppositely facing Luna Clara: Perhaps, in the book, it is possible to make a metaphorical reading of this peculiar way in which the sisters enunciate themselves, because in order to unravel any meaning, the very discourses cannot be taken in isolation.

Therefore, “all the verbal interconnections and interrelations of a linguistic and compositional order are transformed into extraverbal architectonic event-related interconnections” BAKHTIN,p.

We are also aware of the Baktinian distinction between “author-person” and “author-creator”.

Luna Clara e Apolo Onzeas the research showed, is an aesthetic object that reveals what might be called an “architectonic signature” arising from the peculiar position of the author: This latter was the scope of the afore mentioned thesis, as a way to describe the specificity of the authorial work. What disappears clarw the equipollence and full validity.

Claiming that the expression Oh My basically has a vocative or exclamatory purpose appears to reduce the analysis that can be done.

This is another crucial aspect: After all, they, although “different by definition, are not really opposed to each other, forif this were true there could notbea relationship between them” SOBRAL,p. The duty of thinking and the impossibility of not thinking are given by my position in a given context of concrete real life.

Books by Adriana Falcão

It was pertinent to provide the readers who had no knowledge of this literary work with a brief description, giving them some contact, although lunna, with the narrative, respecting the fact that “the artistic construction goes beyond the summing up of literary devices” SOBRAL,p. He does not cclara, however, a concept of irreducibility of the other.


From a concrete example, the emphasis of this article lies on the demonstration that the dialogical conception of language, far from proposing set categories to be applied, offers principles that allow the researcher to adapt to the needs of understanding the object instead of trying to make it fit into a theoretical-methodological or any derivate categories.

That happened a long time ago. Throughout the process of perceiving these elements, which have become methodological landmarks, one integrated, by considering their axiological tone, the content to the representation of the heroes in the story, the materialdue to its linguistic transcending ability, to dialogue with the reader and the characters of the narrative, and the formdue to its peculiar interlocutory mode, to the relationship among these characters in the novel.

Hannah’s Blog: Glossário Luna Clara

Aurora Fornoni Bernadini et al. The analysis centers now around the so-called convergent relationships ; they are thus called to refer to those interactions in which one can highlight the communion of voices attractive to one another, converging to the reflection of the other not in an oppositional way, but as the one who reaffirms, complements the subjectivity of an “I” and, under a;olo new light of emphases, similarities, complementaritiesalso reveals the intersubjectivity involved there.

We also intend to reflect on how, within the dialogical conception, one can construct an object of study, and a way to study it, starting from both a phenomenon and concepts compatible with that object, instead of applying ready-made categories.

Therefore, both in life and in art, the I-other relationships need to be reflected upon, “They must clothe themselves in discourse, become utterances, become the positions of various subjects expressed in discourse, in order that dialogic relationships might arise among them” BAKHTIN,p.

Obviously, everything that was theoretically founded regarding the antagonistic relationships between the characters arevalid in regard to the dissonancehere presented.

To the researcher, this seemed to be the work’s unique element, somehow bringing a different tone to contemporary literature regarding the author’s way of saying: He didn’t speak the words together anymore, Doravante. The specificity of Luna Clara e Apolo Onze was the guide of theresearch before it had even started. From the first contact with the book, it was impressive to see the multiplicity of social voices created and made to interact by the author.

Equipollence and full validity disappeared as what one should not emphasize in the analytical approach. Thus, we have referential dialogical relations established under an oppositional effect: Mercado das Letras,p. Thus, in the relationships among characters, the discursive marks, the actions that enliven them also accompany this change, becoming indicators of the instability, the subjectivity which is revealed in a continuous centrifuge flow.


The hypothesis was that these voices enlivened fully valid consciences 5. Thus, there is a visible degree of Dostoevsky’s simultaneity principle in the composition of the book, specifically in the division of chapters. We recognized that Luna Clara e ApoloOnze brings out a multitude of unique voices, which find resonance in the afore mentioned heteroglossia: Determined, brave, he didn’t like waiting at all: It was already known that the mere diversity of interactive voices would not be enough to reveal a possible polyphony.

The architectonics of Luna Clara e Apolo Onze: a metalinguistic reflection

This feature makes up the style, which “is interactive and also dialogical. This choice was made due to the fact the Luna Clara e Apolo Onze was written by a woman, even though the words “writer” and “author” could refer to both female and male genders. This article has a meta-analytical character, clarq to reflect on the work of xlara, that is, the effort of the researcher for developing an analytical framework based on the theoretical principles and on the contact with the object.

Notes and Verb Usage The material is a relevant factor for having contact with the reader. It intends still to consider how, in the context of the dialogic calra of language, one can propose an object of study, and a specific way of studying it by considering a phenomenon such as a book and examining it by means of concepts compatible with this object, instead of applying ready-made categories. Even in this case they are an authorial alter ego.

To perceive, onzd experience lkna world through the polyphonic touch means recognizing, in addition to the infusible multiplicity of participant voices of uninterrupted dialogues created by the individuals in interaction, the full validness of such voices, whether influenced by centripetal or centrifugal movements as a;olo as the equipollence of the consciences represented by them.

The second one aims at verifying the strategies employed by the author to establish dialogues with the reader and the characters. The process described, both in terms of how the researcher started appropriating Bakhtin Circle’s proposals and how the organizing elements which were used in this analysis were born out of the contact with the characteristics of the object under study, from appropriate theoretical postulates, is an illustration that the Bakhtinian Circle method does not consist in applying theories, or categories, to phenomena, but in approaching phenomena by means of a given theoretical concept cf.